Josh Owen

Josh Owen stands at the crossroads of innovative design and influential education. A graduate of Cornell University (BA, BFA) and Rhode Island School of Design (MFA), Owen's distinguished career is marked by a seamless blend of practical design and academic rigor. As the Vignelli Distinguished Professor of Design and Director at the Vignelli Center for Design Studies at RIT, Owen imparts his deep understanding of design to the next generation. His tenure as Director of the Industrial Design Department at RIT saw the inception of the acclaimed Metaproject course, a testament to his educational prowess.
Josh Owen
"The line between work and pleasure is blurry when your work is your passion."

— Josh Owen

Josh Owen for Heller

Designer Story

In the world of industrial design, Josh Owen stands as a rare amalgamation of educator, practitioner, and philosopher. Born in Philadelphia in 1970, Owen's path to becoming one of America's most celebrated designers began with a foundation in fine arts. He graduated from Cornell University with degrees in sculpture and visual studies before earning his MFA in furniture design from the prestigious Rhode Island School of Design in 1997 that provided him with both artistic vision and technical expertise.

Owen's design philosophy centers on what he calls "professional curiosity"—a methodical exploration that pushes boundaries while maintaining an intuitive connection to familiar forms. "I always tell young designers to be 'professionally curious,'" Owen explains. "In other words, make it your business to push into new territory. The world needs it more than ever these days." This balance between innovation and accessibility defines his approach, creating objects that feel both revolutionary and somehow inevitable.

His iconic SOS Stool, originally created in 2008 and recently reintroduced by Heller Furniture in 2024, perfectly embodies this philosophy. The multifunctional piece serves as both seating and side table, featuring innovative S-hooks that can hold glasses, bags, or function as carrying handles reflecting its versatility for various settings. The stool's name—SOS—cleverly plays on both the international distress signal and the concept of "Save Our Sustainability," highlighting Owen's commitment to environmentally responsible design through its fully recyclable construction.

The SOS Stool's journey from concept to iconic status reveals Owen's rigorous design process. An exhibition at Design Within Reach in 2008 showcased this evolution through drawings, models, and prototypes arranged chronologically to demonstrate the project's development. This methodical approach, combined with an intuitive understanding of user needs, has resulted in a piece that transcends mere furniture to become a recognized design object—one that has earned places in prestigious institutions including the Centre Pompidou in Paris and the Philadelphia Museum of Art.

One of Owen's most meaningful moments came at the Venice Biennale, where he discovered his SOS Stools being used throughout the Arsenal shipyards. "They were under heavy use and in some ways anonymous in the landscape of people moving through the fairgrounds," he recalls. "I happened to have my son with me on that trip and it was special for me to share my work with him in this scale and the location." This experience encapsulates what makes Owen's work exceptional—his designs become so intuitively functional that they disappear into the environment while elevating the everyday experience.

Beyond his studio practice, Owen has dedicated himself to education, serving as the Vignelli Distinguished Professor of Design and Director of the Vignelli Center for Design Studies at the Rochester Institute of Technology. His teaching philosophy mirrors the Vignelli's "Design is One" ethos, which Owen describes as "a universal message that design is a lens through which we can envision a more inclusive tomorrow." This commitment to design as a force for positive change influences both his academic work and his professional practice.

Owen's selective approach to commissions—choosing fewer projects to focus on building quality relationships—has resulted in collaborations with leading manufacturers in the US and Europe, including Areaware, Kikkerland, and Heller. His work consistently receives recognition, including multiple Chicago Athenaeum Good Design Awards, because it achieves what great design should: objects that solve problems while delighting the senses.

The SOS Stool continues Owen's legacy of creating sustainable, multifunctional designs. Crafted from Linear Low-Density Polyethylene with 25% post-consumer recycled content, the stool embodies Owen's belief that good design must be environmentally responsible while still maintaining its practical utility and aesthetic appeal. As he balances his roles as designer, educator, and leader in sustainable design practices, Josh Owen continues to demonstrate that the most useful objects can also be the most beautiful—and the most responsible.